Przykłady użycia

Przykłady dopasowywane są do haseł w zautomatyzowany sposób - nie gwarantujemy ich poprawności.

The precocious young Hunayn had been introduced to Ma'm??n by the Ban?? M??sa brothers, three colourful characters also associated with the House of Wisdom. The eldest, Mohammad, is said to have been the first person to suggest that celestial bodies such as the moon and planets were subject to the same laws of physics as on Earth â?? which marked a clear break from the received Aristotelian picture of the universe. Indeed his book, Astral Motion and the Force of Attraction, shows clear signs that he had a crude qualitative notion of such a force, albeit a far cry from Newton's universal law of gravity. The brothers are probably best known for their wonderful inventions and engineering projects. Most famous of all was their Book of Ingenious Devices (Kitab al-Hiyal), published in 850. This was a large illustrated work on mechanical devices that included automata, puzzles and magic tricks, as well as what we would today refer to as "executive toys". One of the most impressive is also possibly the earliest example of a programmable machine: a robotic flute player. Another person employed in the House of Wisdom by Ma'm??n is known to this day simply as "The Philosopher of the Arabs". His name was al-Kindi (801-873) (Latinised as Alkindus) and he is regarded as the first of the Abbasid polymaths. Born in Basra, an Arab from the powerful Kinda tribe, Kindi is thought to have moved to Baghdad early in life and received his education there. A great mathematician, he studied cryptanalysis and was the first great theoretician of music in the Islamic empire. But he is mostly famous for being the first to introduce the philosophy of Aristotle to the Arabic-speaking world, making it both accessible and acceptable to a Muslim audience. Central to Kindi's work was the way his writing fused Aristotelian philosophy with Islamic theology, thereby creating an intellectual platform for a debate between philosophers and theologians that would run for hundreds of years.
The precocious young Hunayn had been introduced to Ma'm??n by the Ban?? M??sa brothers, three colourful characters also associated with the House of Wisdom. The eldest, Mohammad, is said to have been the first person to suggest that celestial bodies such as the moon and planets were subject to the same laws of physics as on Earth â?? which marked a clear break from the received Aristotelian picture of the universe. Indeed his book, Astral Motion and the Force of Attraction, shows clear signs that he had a crude qualitative notion of such a force, albeit a far cry from Newton's universal law of gravity. The brothers are probably best known for their wonderful inventions and engineering projects. Most famous of all was their Book of Ingenious Devices (Kitab al-Hiyal), published in 850. This was a large illustrated work on mechanical devices that included automata, puzzles and magic tricks, as well as what we would today refer to as "executive toys". One of the most impressive is also possibly the earliest example of a programmable machine: a robotic flute player. Another person employed in the House of Wisdom by Ma'm??n is known to this day simply as "The Philosopher of the Arabs". His name was al-Kindi (801-873) (Latinised as Alkindus) and he is regarded as the first of the Abbasid polymaths. Born in Basra, an Arab from the powerful Kinda tribe, Kindi is thought to have moved to Baghdad early in life and received his education there. A great mathematician, he studied cryptanalysis and was the first great theoretician of music in the Islamic empire. But he is mostly famous for being the first to introduce the philosophy of Aristotle to the Arabic-speaking world, making it both accessible and acceptable to a Muslim audience. Central to Kindi's work was the way his writing fused Aristotelian philosophy with Islamic theology, thereby creating an intellectual platform for a debate between philosophers and theologians that would run for hundreds of years.
Its form is also brave and radical. At the time, Kane's deliberate and controlled explosion of Aristotelian unity of time and place was perceived as being chaotic. Make no mistake; this is a controlled play that seems to mirror the formal developments of 20th-century drama. A first third that echoes Ibsen's chartings of sexual abuse moves into a Brechtian anger and culminates in a Beckettian plea for solace in a time of holocaust. It is thrilling to watch a playwright assimilate but then reimagine such a legacy with such grace.